Bartok - The 2 Violin Concertos (2010)

Bartók

Arabella Steinbacher

Marek Janowski

Whilst unfulfilled passion and unre- quited love have driven many to depression, Béla Bartók was able to sublimate such personal disappointment into exuberant creativity. In February 1908, after his passionate courting attempts had been rejected by the Swiss violinist, Stefi Geyer, Bartók wrote her: “Having read your letter, I sat down at the piano – and had the sad premonition that, in life, music is to be my only consolation.” He illustrated these lines with a musical quotation which included the broken major-seventh chord, c-sharp – e – g-sharp – b-sharp, adding the words: “This is your leitmotiv.” It will have been particularly bitter for the composer that he had completed the score of the violin concerto, which had been written for Stefi, and into which he had poured his profound feelings for her, just a few days before her rejection. It is also to her that he dedicated the concerto, which, as in “a narcotic dream” (Römer), had been inspired a year earlier by his intoxicating love for her, but he did not do so without adding a tragic poem by Béla Balázs to the autograph score. Stefi Geyer kept the score until her death in 1956, with- out every performing the concerto publicly. It was not until 30 May 1958, thirteen years after Bartók’s death, that the concerto finally had its first public performance, in Basel, under the baton of Paul Sacher, with Hansheinz Schneeberger as soloist.

 

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Arabella Steinbacher

Violinist Arabella Steinbacher has firmly established herself as one of today’s leading violinists on the international concert scene, performing with the world’s major orchestras. The New York Times reports that she plays with “Balanced lyricism and fire - among her assets are a finely polished technique and a beautifully varied palette of timbres.” Recording exclusively for PENTATONE, Steinbacher’s career was launched in 2004 with an extraordinary and unexpected debut in Paris, when she stepped in on short notice for an ailing colleague and performed the Beethoven Violin Concerto with the Orchestre Philharmonique de Radio France under Sir Neville Marriner.
Her diverse and deep repertoire nowadays includes more than thirty concertos for violin. In addition to all of the major concertos of the Classical and Romantic periods, she also performs those of Barber, Bartók, Berg, Glazunov, Khatchaturian, Milhaud, Prokofiev, Schnittke, Shostakovich, Stravinsky, Szymanowski, Hindemith, Hartmann, and Sofia Gubaidulina’s Offertorium. Her recording honors include the Choc du mois from Le Monde de la Musique, two ECHO Klassik Awards, two German Record Critics’ Awards, and the Editor’s Choice Award from Gramophone magazine.

Orchestre de la Suisse Romande

Founded in 1918 by Ernest Ansermet, permanent conductor until 1967, the Orchestre de la Suisse Romande, with its 112 permanent musicians, ensures subscription concerts in Geneva and Lausanne, the City of Geneva symphony concerts, the annual fund-raising concert for the UN, as well as opera performances at the Grand Théâtre de Genève. Its reputation has been built up over the years thanks to its historic recordings and its interpretation of 20th-century French and Russian repertoire.

The orchestra's Music and Artistic Director will be Jonathan Nott from the 2016-2017 season. Its Principal Guest Conductor is Japanese maestro Kazuki Yamada.

Under the guidance of its founding conductor and subsequent music directors (Paul Kletzki 1967- 1970, Wolfgang Sawallisch 1970-1980, Horst Stein 1980-1985, Armin Jordan 1985-1997, Fabio Luisi 1997-2002, Pinchas Steinberg 2002-2005, Marek Janowski 2005-2012, Neeme Järvi, 2012-2015), the world-famous Orchestre de la Suisse Romande is an active contributor to the history of music through the discovery or support of leading contemporary composers. The pieces by Claude Debussy, Igor Stravinsky, Darius Milhaud, Arthur Honegger, Frank Martin, Benjamin Britten, Heinz Holliger, Peter Eötvös, James MacMillan, Pascal Dusapin, Michael Jarrell or Richard Dubugnon were premiered in Geneva by the OSR. It is  one of its important mission: supporting the symphonic creation, and particularly the Swiss one. The OSR is a partner of Pro Helvetia until 2017 for the project “Oeuvres suisses”

 

Marek Janowski

Marek Janowski has been artistic director of the Rundfunk- Sinfonieorchester Berlin (= RSB, the Radio Symphony Orchestra Berlin) since 2002. Under his directorship between 1984 and 2000, the Orchestre Philharmonique de Radio France rose to become the leading orchestra in France. During a number of years, he also put his personal stamp on the Gu?rzenich Orchester Köln (1986-1990), the Dresdner Philharmonie (2001-2003), the Orchestre Philharmonique de Monte-Carlo (2000-2005), and the Orchestre de la Suisse Romande (2005-2012).

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Bartok - The 2 Violin Concertos (2010)

Bartók

Arabella Steinbacher

Producer: Job Maarse
Recording Engineer: Erdo Groot
Recording location: Victoria Hall, Geneva, Switzerland
Recording Software:

Merging

Recording Type & Bit Rate: DSD64

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  • DXD
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This album is available as ST+MCH download (Stereo + Multichannel)
Included in any DSD purchase is access to the base DSD64 resolution. All DSD capable units will be able to play DSD64.
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PTC5186350: Bartok - The 2 Violin Concertos
01:01:10   Select quality & channels above
Tracks.
1.
Violin Concerto No. 2 - Allegro non troppo
Bartók
00:16:41   Select quality & channels above
2.
Violin Concerto No. 2 - Andante tranquillo
Bartók
00:10:35   Select quality & channels above
3.
Violin Concerto No. 2 - Allegro molto
Bartók
00:12:34   Select quality & channels above
4.
Violin Concerto No. 1 - Andante sostenuto
Bartók
00:09:17   Select quality & channels above
5.
Violin Concerto No. 1 - Allegro giocoso
Bartók
00:12:03   Select quality & channels above

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